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Cannes 2012 Preview

Séamas McSwiney is our guest film correspondent with decades of experience in film journalism, and work published in some top international publications. Here he previews this year's Cannes film festival. 

"Moonrise Kingdom is this year's Cannes opener. It also opens in UK cinemas on May 25th, giving a welcome opportunity to keep up with the latest buzz from planet cinema, a world that systematically migrates to the French Riviera once a year in May. As usual it will have a Cannes competition programme that goes beyond the standard all-American multiplex fare and will again provide a wide range of celluloid offerings from the planet's finest filmmakers.

American Offerings

This said, Cannes 2012 also offers a particularly fine crop of quality contemporary American movies. For starters there is the afore mentioned opener, Moonrise Kingdom by Wes Anderson. On the surface it tells an all-American simple story of a little boy who loves a little girl in 60s USA, all trammelled with scout camping trips and indulgent parents, too dim to understand the essence they lost by growing up. But add the oddball, the quirky and surreal, the habitual tones of Wes Anderson's cine-palette, and you have quite a different and hilariously memorable experience.

My French Film Festival

Bonne Année is French for Happy New year and, if you ever felt like organising a French film festival, this is the year and now is the time. You can start next week and the whole thing will be done and dusted by the end of the month.

Usually you would need to plan a long way ahead, find sponsors, staff and cinemas. Then you would need to pick the films, negotiate the rights, arrange the transport of the celluloid spools and the special guests and ...pray that they arrive on time for the advertised screening. And that is only half of the joys, headaches and suspense that are part and parcel of managing a cultural event like a film festival. It's like that on a large scale for Cannes, Berlin, London and all of the major film festivals, and also for the thousand local festivals happening somewhere in the world every single day of the year. One thing they all have in common is that the organisers never have the time or the peace of mind to enjoy the films.

Cannes: Champagne and Controversy

Cannes 2011 is widely held to be a classic vintage. It had a broad spectrum of satisfying cinema, stylistically eclectic and as culturally diverse as Cannes owes itself to be. But there is something entertainingly aristocratic and arbitrary about Cannes too. Why were certain films in competition in the first place and not others? Why did the equally diverse jury of a handful of people opt for this combination of prizes and not another?

Cannes: The Story of a Young Filmmaker

At last year's Cannes festival, our guest film correspondent, Séamas McSwiney, met a young filmmaker called Wanuri Kahiu (pictured above) with an inspirational story. The video below is of an interview he did with her and gives an insight into the perseverance and good fortune an emerging filmmaker needs to follow their dream. 

Cannes: Hollywood Glamour and Persian Drama

Angelina Jolie plays the Tigress’ voice in the soon to be released Kung Fu Panda 2 and she showed up on Friday to dazzle the fans and promote the movie. Her husband Brad Pitt will make the journey this evening as he plays a lead role in Terence Malick’s long awaited contemplative opus The Tree of Life. Saturday saw Penelope Cruz walked up the red carpet on Johnny Depp’s arm for Saturday night’s gala screening of Pirates of the Caribbean 4. Lady Gaga is expected any day now to tip the glam scale up a notch further.

The world’s entertainment industry knows how to add that special show biz sparkle to Cannes

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